Pesquisando por: "Salvator Mundi" - Fotoarena - Agência de fotojornalismo

20230924_zaf_a110_004 September 24, 2023, ROME, ITALY: The coffin, escorted by the Cuirassiers on motorbikes, of the president emeritus Giorgio Napolitano is taken out of the Salvator Mundi clinic to be transported to the funeral chamber set up in the Senate in.Rome, Italy, 24 September2023..ANSA/FABIO CIMAGLIA (Credit Image: © ANSA/Zuma Press/Fotoarena)

20230924_zaf_a110_005 September 24, 2023, ROME, ITALY: The coffin, escorted by the Cuirassiers on motorbikes, of the president emeritus Giorgio Napolitano is taken out of the Salvator Mundi clinic to be transported to the funeral chamber set up in the Senate in.Rome, Italy, 24 September2023..ANSA/FABIO CIMAGLIA (Credit Image: © ANSA/Zuma Press/Fotoarena)

20230924_zaf_a110_001 September 24, 2023, ROME, ITALY: The coffin, escorted by the Cuirassiers on motorbikes, of the president emeritus Giorgio Napolitano is taken out of the Salvator Mundi clinic to be transported to the funeral chamber set up in the Senate in.Rome, Italy, 24 September2023..ANSA/FABIO CIMAGLIA (Credit Image: © ANSA/Zuma Press/Fotoarena)

20230923_zip_v147_001 September 23, 2023, Rome, Italy: The Italian and European flags displayed at half-mast in Palazzo Madama, seat of the Senate of the Italian Republic, in Rome on the occasion of the death of the President Emeritus of the Republic, senator by right and for life, Giorgio Napolitano. The President Emeritus of the Republic Giorgio Napolitano passed away at the Salvator Mundi clinic on the Janiculum in Rome after a long illness. He was an Italian politician, 11th President of the Republic from 15 May 2006 to 14 January 2015, elected for two consecutive terms. (Credit Image: © Marcello Valeri/ZUMA Press Wire)

20230919_zaf_a110_026 September 19, 2023, Roma: Police and Carabinieri in front of the entrance of the Salvator Mundi clinic where President Emeritus Giorgio Napolitano is hospitalized in Rome, 18 September 2023. ANSA/RICCARDO ANTIMIANI (Credit Image: © ANSA/Zuma Press/Fotoarena)

20230919_zaf_a110_025 September 19, 2023, Roma: Police and Carabinieri in front of the entrance of the Salvator Mundi clinic where President Emeritus Giorgio Napolitano is hospitalized in Rome, 18 September 2023. ANSA/RICCARDO ANTIMIANI (Credit Image: © ANSA/Zuma Press/Fotoarena)

20230919_zaf_a110_027 September 19, 2023, Roma: Police and Carabinieri in front of the entrance of the Salvator Mundi clinic where President Emeritus Giorgio Napolitano is hospitalized in Rome, 18 September 2023. ANSA/RICCARDO ANTIMIANI (Credit Image: © ANSA/Zuma Press/Fotoarena)

20220701_zaf_z19_039 Foto Alfredo Falcone LaPresse.01/07/2022 Roma, Italia.Cronaca.Premio Internazionale Salvator Mundi.Nella foto: Riccardo Valentini..Photo Alfredo Falcone / LaPresse.01/07/2022 Rome, Italy.News.Salvator Mundi International Prize.In the picture: Riccardo Valentini. (Credit Image: © Alfredo Falcone/LaPresse/Zuma Press/Fotoarena)

20220701_zaf_z19_038 Foto Alfredo Falcone LaPresse.01/07/2022 Roma, Italia.Cronaca.Premio Internazionale Salvator Mundi.Nella foto: Riccardo Valentini..Photo Alfredo Falcone / LaPresse.01/07/2022 Rome, Italy.News.Salvator Mundi International Prize.In the picture: Riccardo Valentini. (Credit Image: © Alfredo Falcone/LaPresse/Zuma Press/Fotoarena)

20220701_zaf_z19_037 Foto Alfredo Falcone LaPresse.01/07/2022 Roma, Italia.Cronaca.Premio Internazionale Salvator Mundi.Nella foto: Roberto Boella..Photo Alfredo Falcone / LaPresse.01/07/2022 Rome, Italy.News.Salvator Mundi International Prize.In the picture: Roberto Boella. (Credit Image: © Alfredo Falcone/LaPresse/Zuma Press/Fotoarena)

20220701_zaf_z19_036 Foto Alfredo Falcone LaPresse.01/07/2022 Roma, Italia.Cronaca.Premio Internazionale Salvator Mundi.Nella foto: Roberto Boella..Photo Alfredo Falcone / LaPresse.01/07/2022 Rome, Italy.News.Salvator Mundi International Prize.In the picture: Roberto Boella. (Credit Image: © Alfredo Falcone/LaPresse/Zuma Press/Fotoarena)

20220701_zaf_z19_035 Foto Alfredo Falcone LaPresse.01/07/2022 Roma, Italia.Cronaca.Premio Internazionale Salvator Mundi.Nella foto: Roberto Boella..Photo Alfredo Falcone / LaPresse.01/07/2022 Rome, Italy.News.Salvator Mundi International Prize.In the picture: Roberto Boella. (Credit Image: © Alfredo Falcone/LaPresse/Zuma Press/Fotoarena)

20220701_zaf_z19_034 Foto Alfredo Falcone LaPresse.01/07/2022 Roma, Italia.Cronaca.Premio Internazionale Salvator Mundi.Nella foto: Roberto Boella..Photo Alfredo Falcone / LaPresse.01/07/2022 Rome, Italy.News.Salvator Mundi International Prize.In the picture: Roberto Boella. (Credit Image: © Alfredo Falcone/LaPresse/Zuma Press/Fotoarena)

20220701_zaf_z19_033 Foto Alfredo Falcone LaPresse.01/07/2022 Roma, Italia.Cronaca.Premio Internazionale Salvator Mundi.Nella foto: Katia La Rosa..Photo Alfredo Falcone / LaPresse.01/07/2022 Rome, Italy.News.Salvator Mundi International Prize.In the picture: Katia La Rosa. (Credit Image: © Alfredo Falcone/LaPresse/Zuma Press/Fotoarena)

20220701_zaf_z19_032 Foto Alfredo Falcone LaPresse.01/07/2022 Roma, Italia.Cronaca.Premio Internazionale Salvator Mundi.Nella foto: Paolo Petrecca, Roberto Boella..Photo Alfredo Falcone / LaPresse.01/07/2022 Rome, Italy.News.Salvator Mundi International Prize.In the picture: Paolo Petrecca, Roberto Boella. (Credit Image: © Alfredo Falcone/LaPresse/Zuma Press/Fotoarena)

1035_06_710390 Salvator Mundi, Bartolommeo, Fra

ny241117164112 Leonardo da Vinci's "Salvator Mundi" at Christie's New York, Nov. 14, 2017. On the eve of a record-breaking art auction, 2 Chainz, the luxury-loving rapper, surveyed the Warhols, Basquiats and the da Vinci up for sale. Christie's has called the work ?The Last da Vinci,? and it went on to sell for a record-shattering $450.3 million. (Andrew White/The New York Times/Fotoarena)

ny151117194111 Leonardo da Vinci?s ?Salvator Mundi? (Savior of the World) is viewed at Christie?s in Manhattan, Nov. 13, 2017. Some 27,000 people on three continents lined up for pre-auction viewings to glimpse the only known painting by the Renaissance master in private hands. The auction was set for the night of Nov. 15. (Benjamin Norman/The New York Times/Fotoarena)

ny151117193913 A detail from Leonardo da Vinci?s ?Salvator Mundi? (Savior of the World) at Christie?s in Manhattan, Nov. 13, 2017. Some 27,000 people on three continents lined up for pre-auction viewings to glimpse the only known painting by the Renaissance master in private hands. The auction was set for the night of Nov. 15. (Benjamin Norman/The New York Times/Fotoarena)

ny151117194312 Leonardo da Vinci?s ?Salvator Mundi? (Savior of the World) at Christie?s in Manhattan, Nov. 13, 2017. Some 27,000 people on three continents lined up for pre-auction viewings to glimpse the only known painting by the Renaissance master in private hands. The auction was set for the night of Nov. 15. (Benjamin Norman/The New York Times/Fotoarena)

ny230418135212 FILE -- Visitors look at Leonardo da Vinci's "Salvator Mundi" at Christie's auction house in New York on Nov. 13, 2017. On Twitter and in the pages of scientific journals, psychologists, neurologists and neuroscientists are forging alliances over the question of whether pleasure we get from art is somehow different from the pleasure we get from candy, sex or drugs. (Benjamin Norman/The New York Times/Fotoarena)

ny100418161913 FILE -- Visitors look at Leonardo da Vinci's "Salvator Mundi" at Christie's auction house in New York on Nov. 13, 2017. On Twitter and in the pages of scientific journals, psychologists, neurologists and neuroscientists are forging alliances over the question of whether pleasure we get from art is somehow different from the pleasure we get from candy, sex or drugs. (Benjamin Norman/The New York Times/Fotoarena)

ny051223184706 FILE - Leonardo da Vinci?s ?Salvator Mundi,? at Christie?s auction house in New York, Nov. 13, 2017. The Christie?s president Jussi Pylkkänen, who held the hammer for the auction house?s biggest sales, is leaving after nearly 40 years. Much changed in that time. (Benjamin Norman/The New York Times/Fotoarena)

ny300319153204 FILE -- Leonardo da Vinci's "Salvator Mundi" on display at Christie's in New York on Nov. 13, 2017, two days before it sold at auction for a record-breaking $450.3 million. The bidder turned out to be a close ally and possible stand-in for the de-facto ruler of Saudi Arabia, Crown Prince Mohammed bin Salman, but the painting hasn't been seen since, even though it was promised to anchor the collection at the Louvre Abu Dhabi. (Benjamin Norman/The New York Times/Fotoarena)

ny071217232514 FILE -- Leonardo da Vinci's "Salvator Mundi" is put on public display at Christie's in New York on Nov. 13, 2017, two days before it sold at auction for a record-breaking $450.3 million. Crown Prince Mohammed bin Salman of Saudi Arabia, acting though a friend and distant cousin, was the true buyer behind the purchase, American officials familiar with the arrangement said on Thursday, Dec. 7, 2017. (Benjamin Norman/The New York Times/Fotoarena)

ny071217232712 FILE -- Trailed by his entourage, Crown Prince Mohammed bin Salman, center, arrives at a financial conference in Riyadh, Saudi Arabia, on Oct. 24, 2017. Prince Mohammed, acting though a friend and distant cousin, was the true buyer behind the purchase of Leonardo da Vinci?s ?Salvator Mundi? for a record-breaking $450.3 million, American officials familiar with the arrangement said on Dec. 7. (Tasneem Alsultan/The New York Times/Fotoarena)

ny071217232811 FILE -- Crown Prince Mohammed bin Salman, right, and Secretary of State Rex Tillerson applaud the arrival of President Donald Trump and first lady Melania Trump at the Royal Court Palace in Riyadh, Saudi Arabia, on May 19, 2017. Prince Mohammed, acting though a friend and distant cousin, was the true buyer behind the purchase of Leonardo da Vinci?s ?Salvator Mundi? for a record-breaking $450.3 million, American officials familiar with the arrangement said on Thursday, Dec. 7, 2017. (Stephen Crowley/The New York Times/Fotoarena)

24141 Gianluca Zambrotta (e) domina bola na frente de Salvatore Bocchetti (d) durante Treino da Seleção da Itália de futebol que jogará a Copa do Mundo Fifa 2010. Pretória/GA, África do Sul - 09/06/2010. Foto: Rodolfo Buhrer / La Imagem / Fotoarena

20100602_zip_v147_001 June 2, 2010, Rome, Italy: The President of the Italian Republic GIORGIO NAPOLITANO greets people on Republic Day in the Quirinale gardens in Rome.The President Emeritus of the Republic Giorgio Napolitano passed away at the Salvator Mundi clinic on the Janiculum in Rome after a long illness. He was an Italian politician, 11th President of the Republic from 15 May 2006 to 14 January 2015, elected for two consecutive terms. (Credit Image: © Marcello Valeri/ZUMA Press Wire)

971_07_FR246104A Statue of Jesus-Christ Salvator mundi (world saviour) in Saint-Martin d'Ainay basilica

alb4156221 Anonymous German Artist active in Westphalia (Active in Westphalia early 15th Century). Diptych with symbols of the Virgin and Redeeming Christ: Christ with the Cross as Redemptor Mundi (Right wing) (ca. 1410). Panel. 28.5 x 18.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

alb3707656 Christ as Salvator Mundi. Dated: 1595. Dimensions: overall: 25.6 x 12.6 cm (10 1/16 x 4 15/16 in.). Medium: pen and brown ink with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Caspar Meneller.

akg6107645 Kenzingen (Breisgau, Baden-Württemberg), St. Laurentius Church (Catholic parish church, built at the end of the 13th century, Baroque conversion to a hall church from 1729 on), Pulpit (from the monastery of Wonnental, which was secularized in 1806. At the front of the pulpit Saint Peter and Saint Paul. On the pulpit ceiling the Salvator mundi with the four evangelist symbols). - Partial view of the pulpit. - Photo, 2018. Author: ANONYMOUS.

akg6107642 Kenzingen (Breisgau, Baden-Württemberg), St. Laurentius Church (Catholic parish church, built at the end of the 13th century, Baroque conversion to a hall church from 1729 on), Pulpit (from the monastery of Wonnental, which was secularized in 1806. At the front of the pulpit Saint Peter and Saint Paul. On the pulpit ceiling the Salvator mundi with the four evangelist symbols). - Partial view of the pulpit. - Photo, 2018. Author: ANONYMOUS.

akg5085986 Russland, Moskau, Roter Platz, Festival der Blumen, Erlöser-Turm (in der Mitte) und Basilius-Kathedrale (links).

alb5433371 Zagreb, Croatia, Republika Hrvatska, Europe. Mimara Museum (Muzej Mimara). Follower of Antoon van Dyck, Salvator Mundi, (1599-1641), circa 1618-1620, oil on panel.

alb4367836 Mary and Christ as Salvator Mundi (fronts), Coat of arms paintings in gray-green grisaille (backs), oil on limewood, 20.1 x 13.7 cm (left panel) |, 19.9 x 13.6 cm (right panel), Not referenced., On the globe: ASIA, EVRO, AF, RI, Anonym, Süddeutschland (oder Schweiz?), um 1500.

alb3637674 Christ Blessing the Children. Artist: Lucas Cranach the Younger and Workshop (German, Wittenberg 1515-1586 Wittenberg). Dimensions: 6 1/2 x 8 3/4 in. (16.5 x 22.2 cm). Date: ca. 1545-50.The story of Christ Blessing the Children is found in the Gospels. When children are brought to Christ for blessing, and his disciples raise objections, Christ counters with the words inscribed across the top of this panel: "Suffer the little children to come unto me, and forbid them not: for of such is the kingdom of God" (Mark 10:14). The painting and its pendant, Christ and the Adulteress (seen to the right), share the theme of the free dispensation of divine grace, a central tenet of Lutheranism. Their small size suggests that they were meant for a private setting. Museum: Metropolitan Museum of Art, New York, USA.

alb3672539 Salvator Mundi. Artist: Workshop of Hans Memling (Netherlandish, Seligenstadt, active by 1465-died 1494 Bruges). Dimensions: Overall, with integral frame, diameter 10 3/4 in. (27.3 cm); painted surface 8 in. (20.3 cm). Date: 1475-99.Christ is shown as the Savior of the World (Salvator Mundi), a popular image in fifteenth-century painting. Front-faced, he holds a cross-topped globe and raises his right hand in blessing, merging the themes of the Holy Face (Christ's features miraculously imprinted on a cloth) and Christ in Majesty. The small, circular format made this picture appropriate for hanging above a bed. Museum: Metropolitan Museum of Art, New York, USA. Author: Workshop of Hans Memling.

alb3677648 The Crucifixion. Artist: Attributed to Jan Provost (Netherlandish, Mons (Bergen) ca. 1465-1529 Bruges). Dimensions: Overall 13 1/8 x 10 3/4 in. (33.3 x 27.3 cm); painted surface 12 5/8 x 10 1/4 in. (32.1 x 26 cm). Date: ca. 1495.This exquisite private devotional painting contrasts Mary's joy at the Annunciation, shown in the background, with her sorrow at the Crucifixion, where she swoons in John's arms. The darkened sky heightens the poignancy of the Passion scene. Scattered around the cross are bones, referring to the belief that Adam's skull was located on Golgotha. The pairing of the Annunciation and the Crucifixion accords with the medieval tradition that dedicated March 25th to the memory of Adam, the Annunciation, and Christ's death, thus relating the Fall of Man, the conception of Christ, and the redemption of mankind offered by his death. Museum: Metropolitan Museum of Art, New York, USA.

alb3622608 The Last Judgment. Artist: Joos van Cleve (Netherlandish, Cleve ca. 1485-1540/41 Antwerp). Dimensions: 48 3/4 x 34 in. (123.8 x 86.4 cm). Date: ca. 1520-25.This majestic scene is divided into heavenly and earthly zones, which are linked by two hovering angels blowing trumpets. Christ appears at the moment of judgment in a burst of light and color, surrounded by clouds and putti and flanked by the apostles. He blesses the saved, shown at lower left, while Saint Michael shepherds the damned into hell burning in the distance at the right. The nudes in the foreground reflect the artist's study of prints after Raphael's designs, and the figure of Christ seems to be inspired by the famous ancient sculpture of the Laocoön. Museum: Metropolitan Museum of Art, New York, USA.

alb3604471 Salvator Mundi. Artist: Domenico Fetti (Italian, Rome (?) 1591/92-1623 Venice). Dimensions: 23 1/2 x 17 1/4 in. (59.7 x 43.8 cm). Date: ca. 1622-23.The picture was painted in Venice for Count Francesco Gambara of Brescia. Fetti had moved to Venice from Mantua following a fight with a fellow painter. He was a master of loose brushwork, as this late work testifies. It shows Christ seated in clouds above a landscape, his left hand on an orb, his right raised in blessing, as he directs his gaze towards the viewer. The playful cherubs--especially the one peeking out beneath his blue cloak--and the illusionistic character of the composition are a sort of homage to the work of the great sixteenth-century painter Correggio. Museum: Metropolitan Museum of Art, New York, USA.

alb3606472 Christ Crowned with Thorns (Ecce Homo), and the Mourning Virgin. Artist: Adriaen Isenbrant (Netherlandish, active by 1510-died 1551 Bruges). Dimensions: 41 1/2 x 36 1/2 in. (105.4 x 92.7 cm). Date: ca. 1530-40.In this austere and haunting image, Christ is depicted in the form of an Ecce Homo--presented to the people of Jerusalem by Pilate, the Roman prefect of Jerusalem, prior to being led off to be crucified. He wears a crown of thorns and on his exposed torso bears the wounds from his flagellation. The hostile crowd, however, is omitted. Seen up close, in half-length and nearly life-size, Christ and his mother have been isolated for devotional contemplation. They are presented directly to the viewer, who becomes Christ's judge as well as a participant in the Virgin's grief. Museum: Metropolitan Museum of Art, New York, USA. Author: Adriaen Isenbrant.

alb3615197 Head of Christ. Artist: Petrus Christus (Netherlandish, Baarle-Hertog (Baerle-Duc), active by 1444-died 1475/76 Bruges). Dimensions: Overall 5 7/8 x 4 1/4 in. (14.9 x 10.8 cm); parchment 5 3/4 x 4 1/8 in. (14.6 x 10.5 cm). Date: ca. 1445.This intimate image of Christ's head, intended for private devotion, derives from a lost picture of the Holy Face by Jan van Eyck, now known only through copies. Following the Eyckian composition, Petrus Christus treated the head like a portrait by surrounding it with a fictive frame, thereby underscoring the physical immediacy of Christ. His depiction differs from the prototype, however, in presenting Christ with furrowed brow, the crown of thorns, and drops of blood running down his forehead and onto his chest. These details stimulated a more compassionate reflection on the crucified Christ's suffering by engaging the empathy of the viewer. Museum: Metropolitan Museum of Art, New York, USA.

alb3644669 The Lamentation. Artist: Petrus Christus (Netherlandish, Baarle-Hertog (Baerle-Duc), active by 1444-died 1475/76 Bruges). Dimensions: Overall 10 1/8 x 14 in. (25.7 x 35.6 cm); painted surface 10 x 13 3/4 in. (25.4 x 34.9 cm). Date: ca. 1450.Intended for private devotion, this painting depicts the lamentation over Christ's dead body in terms conducive to empathetic contemplation. The figures of Joseph of Arimathea and Nicodemus lifting Christ's dead body would have stood out, as they are dressed in contemporary attire, reflecting the viewer's own world. Mary's limp pose is meant to suggest her co-suffering with her son and affirms her role as co-redeemer. The painting may have been exported to Italy, since it inspired a marble relief by Antonello Gagini in Palermo Cathedral, Sicily. Museum: Metropolitan Museum of Art, New York, USA.

alb3660307 Christ Blessing. Artist: Andrea Solario (Italian, Milan ca. 1465-1524 Milan). Dimensions: 80 1/4 x 51 1/2 in. (203.8 x 130.8 cm).This is one of Solario's last works and must have been painted for a church in or near Milan. The architecture of the frame must have matched the painted architecture in the picture so as to create the illusion that the figure of Christ stands in a space immediately contiguous with our own. Although the panel may have stood on an altar, it could also have been fitted into a recess in a wall as part of the decoration of a chapel or room in a church. Museum: Metropolitan Museum of Art, New York, USA.

alb3479276 Salvator Mundi, ca. 1505, Oil on linden, 22 7/8 x 18 1/2in. (58.1 x 47cm), Paintings, Albrecht Dürer (German, Nuremberg 14711528 Nuremberg), This picture of Christ as Salvator Mundi, Savior of the World, who raises his right hand in blessing and in his left holds a globe representing the earth, can be appreciated both as a painting and as a drawing.

akg286969 Assisi (Umbria, Italy), Basilica of San Francesco d'Assisi, Uppper Church, window of the southern transept. Christ the Saviour between St Francis of Assili and St Anthony of Padua. Stained glass, c. 1275. Diameter of the quatrefoil: 120 cm.

alb3624006 The Descent of Christ Into Limbo. Artist: Pieter van der Heyden (Netherlandish, ca. 1525-1569); After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels). Dimensions: sheet: 10 5/16 x 13 9/16 in. (26.2 x 34.5 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: 1551. Museum: Metropolitan Museum of Art, New York, USA.

akg8318419 The Bust of Salvator Mundi (the Saviour - Le Sauveur) is the last sculpture created by baroque artist Gian Lorenzo Bernini (Le Bernin), executed in 1679, when the artist was 80 years old. He left the sculpture in his will to his friend and patron Queen Christina of Sweden. Considered lost and 'rediscovered' in 2001 it is currently held in the basilica of di San Sebastiano Fuori Le Mura. There is some dispute over the authorship of the bust. Rome, Italy. 2020.

akg8318418 The Bust of Salvator Mundi (the Saviour - Le Sauveur) is the last sculpture created by baroque artist Gian Lorenzo Bernini (Le Bernin), executed in 1679, when the artist was 80 years old. He left the sculpture in his will to his friend and patron Queen Christina of Sweden. Considered lost and 'rediscovered' in 2001 it is currently held in the basilica of di San Sebastiano Fuori Le Mura. There is some dispute over the authorship of the bust. Rome, Italy. 2020.

akg8318420 The Bust of Salvator Mundi (the Saviour - Le Sauveur) is the last sculpture created by baroque artist Gian Lorenzo Bernini (Le Bernin), executed in 1679, when the artist was 80 years old. He left the sculpture in his will to his friend and patron Queen Christina of Sweden. Considered lost and 'rediscovered' in 2001 it is currently held in the basilica of di San Sebastiano Fuori Le Mura. There is some dispute over the authorship of the bust. Rome, Italy. 2020.

ado00051440 "Salvator Mundi". Oil on wood by Joos van Cleve (ca. 1485-1540/1541). Paris, Muse du Louvre.

akg1572479 Gontscharowa, Natalja Sergejewna 1881-1962. "Erlöser", 1910/11. Triptychon, Mittelteil, Erlöser (mit Weinranke), Öl auf Leinwand, 132,5 × 119,5 cm. Inv. Nr. Sch.-1617 (1989). Moskau, Staatliche Tretjakow-Galerie. Museum: Moskau, Staatliche Tretjakow-Galerie. Author: NATALIA SERGEYEVNA GONCHAROVA. Copyright: © Natalia Goncharova. This artwork is not in the public domain. Additional copyright clearance may be required before use of this image.

akg1572481 Gontscharowa, Natalja Sergejewna 1881-1962. "Erlöser", 1910/11. Triptychon, Rechte Tafel: Erzengel (in Weiß), Öl auf Leinwand, 132 × 68 cm. Inv. Nr. Sch.-1616 (1989). Moskau, Staatliche Tretjakow-Galerie. Museum: Moskau, Staatliche Tretjakow-Galerie. Author: NATALIA SERGEYEVNA GONCHAROVA. Copyright: This artwork is not in the public domain. Additional copyright clearance may be required before use of this image. © Natalia Goncharova.

alb1929953 Salvator Mundi. Christ with the Globe. 1537-1545. Lower Rhin. German Historical Museum. Berlin. Germany.

akg1946642 Iran, Isfahan City, forecourt of the Vank Cathedral (Surp Amenaprgich Vank) in the Christian Armenian district of Djolfa (Jolfa): bronze sculpture (rear view) of the Archbishop Khachatour Kesaratsi (around 1636) erected in 2007 against the backdrop of the Vank Cathedral, built 1606 - 1655. Archbishop in cowl and with bible. opened the first printing house and publishing house in Iran in 1636. To the district of Djolfa (Christian Armenian Quarter): View over the main dome and bell tower of the so-called Vank Cathedral.

alb4105010 Christ as Salvator Mundi. Dating: c. 1500. Place: Zuid-Duitsland. Measurements: h 17.5 cm × w 13 cm; d 4.5 cm. Museum: Rijksmuseum, Amsterdam.

akg252148 Taddeo di Bartolo. 1362/63 - 1422. "Salvator Mundi", 1403. On wood, 64 × 37cm. Inv. no. 1072. Perugia, National Gallery of Umbria. Museum: Perugia, National Gallery of Umbria.

akg8710294 Dyck, Anton (Anthonis) van, 1599-1641. "Christ as Salvator Mundi", around 1620. Counterpart to "Mary with raised hands in supplication". Oil on panel, 82.7 × 69.8 cm (originally 64.5 × 49.5 cm. Since 1764 in the picture gallery. Inv. No. GK I 7757 (gallery no. 90). Potsdam, SPSG, Sanssouci Picture Gallery.

akg8950057 Christus Salvator, Ausschnitt aus einem Tafelbild im Klerikalseminar zu Freising, 50er Jahre.

akg5750462 Bordeaux (Gironde), cathédrale Saint-André (milieu 12e - jusqu'au 15e). Vue intérieure, chapelle du Mont-Carmel, autel : tabernacle, Salvator Mundi sur la porte, fond d'émail bleu à rinceaux.A. Chertier, orfèvre à Paris, 1868. Photographie, septembre 2016.

akg5750458 Bordeaux (Gironde), cathédrale Saint-André (milieu 12e - jusqu'au 15e). Vue intérieure, chapelle du Mont-Carmel, autel : tabernacle, Salvator Mundi sur la porte, fond d'émail bleu à rinceaux.A. Chertier, orfèvre à Paris, 1868. Photographie, septembre 2016.

akg2322808 nach: Cleve, Joos van um 1480/85 - 1540. "Salvator Mundi". Anonymes Gemälde, 16. Jahrhundert. Öl auf Holz, 27 × 21 cm. London, Dulwich College Picture Gallery. Museum: London, Dulwich College Picture Gallery.

akg216811 Icon painting, Russian, end of 15th / beg. of 16th cent. "The Redeemer surrounded by the Heavenly Powers". Tempera on wood, 145 × 106cm. Moscow, Tretjakov Gallery. Museum: Moskau, Staatliche Tretjakow-Galerie.

akg211546 Halle a. d. Saale (Sachsen-Anhalt), Ulrichskirche (erbaut im 14. Jh., heute als Konzerthalle genutzt). Außenansicht: Tympanon am Nordportal mit Relief Marientod und Salvator, davor auf einem Pfeiler sitzende Muttergottes. Foto, undat.

akg286933 Stained glass, Italy, 1st quarter of the 13th Century (?). Christ the saviour. Hight: 78 cm, width: 82 cm. From the chapel of St. Peter of Alcantara in the Basilica of St Francis of Assisi. Assisi (Umbria, Italy), Sacro Convento.

akg261369 Maître E.S. actif v. 1450-67. "Le sauveur bénissant le monde", v. 1467. Gravure sur cuivre, pl. 15,5 × 11,4 cm. Inv. Nr. 118027. Munich, Staatliche Graphische Sammlung. Museum: München, Staatliche Graphische Sammlung.

akg323758 Northern German, c. 1480/1510. "Salvator Mundi". Tempera on wood, Inv. no. B331. Museen Böttcherstraße, Bremen, Ludwig Roselius Museum. Museum: Bremen, Ludwig Roselius Museum. Copyright: Credit to the Museum is obligatory.

akg307043 Maratea (Basilicata, Italie), Monte San Biagio. "Il Redentore" (Le Rédempteur). Statue colossale (21 m), 1963.

akg341741 Batoni, Pompeo 1708-1787. "Salvator Mundi". Oil on canvas, 73.5 × 61cm. No date. London, Sotheby's. Lot 35, 20/4/88.

akg249451 Rhenish school, 16th century:. Salvator Mundi (depicted with a globe by Kaspar Vopell from 1537). Oil on canvas, 63.5 × 54.6 cm. Inv. Nr. Gm 93/24. Berlin, Deutsches Historisches Museum. Museum: Berlin, Deutsches Historisches Museum.

akg3027785 Gallen-Kallela, Akseli. 1865-1931. "Christuskopf", 1895. Öl auf Leinwand, 30 x 20 cm. Inv.Nr.KH 1349. Vaasa, Ostrobothnian Museum. Museum: Vaasa, Ostrobothnian Museum.

akg3002642 Ikonenmalerei, Russland, Moskau, Anfang des 20. Jahrhunderts. - Christus der Erlöser. - Eitempera auf Holz, 18 x 15 cm. Mit Metall-Oklad. Donation Mme Mavromichalis. Genf, Musée d'Art et d'Histoire. Museum: Geneva, Musée d'Art et d'Histoire. Author: ANONYMOUS.

akg3125546 Meister von 1499. "Madonna in der Kirche", 1499. Linker Flügel eines Diptychons mit Abt Christiaan de Hondt; Rückseite: Salvator Mundi. Holz, 31 x 14,5 cm. Inv.Nr. 255 und 530. Antwerpen, Kgl. Museum voor Schone Kunsten. Museum: Antwerpen, Kgl. Museum voor Schone Kunsten.

akg3112647 Holbein, Hans d. Ä.. 1465-1524. "Christus als Salvator Mundi", nach 1493(?). Pinsel und Feder in Schwarz, grau laviert und weiß gehöht auf grau. grundiertem Papier, 26,9 x 14,5 cm. Inv.Nr.4830. Wien, Graphische Sammlung Albertina. Museum: Wien, Graphische Sammlung Albertina. Author: THE ELDER HANS HOLBEIN.

akg3796246 Meister der Mansi-Magdalena, tätig in Antwerpen um 1510/15 - um 1525. "Christus als Salvator Mundi". Öl auf Eichenholz, 67,7 x 49,2 cm. Aachen, Suermondt-Ludwig-Museum. Museum: Aachen, Suermondt-Ludwig-Museum.

akg3796247 Meister des Kölner Ursula-Zyklus. tätig in Brügge um 1470/1471 - um 1500. Werkstatt. "Krönung Mariens", Ende 15.Jh. Öl, Tempera auf Holz, 30,5 x 24,5 cm. Darmstadt, Hessisches Landesmuseum. Museum: Darmstadt, Hessisches Landesmuseum.

akg1572477 Gontscharowa, Natalja Sergejewna 1881-1962. "Erlöser", 1910/11. Triptychon. Öl auf Leinwand. Mittlerer Teil: Erlöser (mit Weinranken), 132,5 × 119,5 cm. Linker Teil: Erzengel (in Grün), 132 × 69,5 cm. Rechter Teil: Erzengel (in Weiß), 132 × 68 cm. Inv. Nr. Sch.-1615-1617 (1989). Moskau, Staatliche Tretjakow-Galerie. Museum: Moskau, Staatliche Tretjakow-Galerie. Author: NATALIA SERGEYEVNA GONCHAROVA. Copyright: © Natalia Goncharova. This artwork is not in the public domain. Additional copyright clearance may be required before use of this image.

akg1947717 Bruni, Nikolaj Alexandrowitsch. 1856-1935. "Der Erlöser" (Salvator Mundi). letztes Viertel 19. Jahrhundert. Öl auf Leinwand. St. Petersburg, Staatl. Russisches Museum. Museum: St. Petersburg, Russian Museum.

akg1823272 Provost, Jan um 1465 - 1529 (Umkreis). "Der Tod, einzige Gewissheit", 16. Jahrhundert. Öl auf Holz, 73,9 × 64 cm. Inv. 91. Mons, Musée des Beaux-Arts. Museum: Mons, Musée des Beaux-Arts.

akg1849939 Indische Miniatur, Dekkan, 19. Jahrhundert. /-Christus (Salvator Mundi).-/ Gouache auf Papier. Museum: Private Collection., Privatsammlung.

akg1003132 Fra Bartolomeo 1472-1517. "Salvator Mundi" (The Resurrected Christ with the four Evangelists), 1516. Oil on canvas, 282 x 204cm. Museum: Palazzo Pitti, Gall. Palatina., Florenz.

akg6514015 Saint-Martin d'Ainay Basilica. Main Altar. Golden statue of Jesus Christ Salvator Mundi (World Saviour). Lyon. France.

akg6107644 Kenzingen (Breisgau, Baden-Württemberg), St. Laurentius Church (Catholic parish church, built at the end of the 13th century, Baroque conversion to a hall church from 1729 on), Pulpit (from the monastery of Wonnental, which was secularized in 1806. At the front of the pulpit Saint Peter and Saint Paul. On the pulpit ceiling the Salvator mundi with the four evangelist symbols). - General view of the pulpit. - Photo, 2018. Author: ANONYMOUS.

akg6107643 Kenzingen (Breisgau, Baden-Württemberg), St. Laurentius Church (Catholic parish church, built at the end of the 13th century, Baroque conversion to a hall church from 1729 on), Pulpit (from the monastery of Wonnental). - Pulpit ceiling with the Salvator mundi and the the four evangelist symbols. - Photo, 2018. Author: ANONYMOUS.

akg6107646 Kenzingen (Breisgau, Baden-Württemberg), St. Laurentius Church (Catholic parish church, built at the end of the 13th century, Baroque conversion to a hall church from 1729 on), Pulpit (from the monastery of Wonnental, which was secularized in 1806. At the front of the pulpit Saint Peter and Saint Paul. On the pulpit ceiling the Salvator mundi with the four evangelist symbols). - General view of the pulpit. - Photo, 2018. Author: ANONYMOUS.

akg6107640 Kenzingen (Breisgau, Baden-Württemberg), St. Laurentius Church (Catholic parish church, built at the end of the 13th century, Baroque conversion to a hall church from 1729 on), Pulpit (from the monastery of Wonnental, which was secularized in 1806. At the front of the pulpit Saint Peter and Saint Paul. On the pulpit ceiling the Salvator mundi with the four evangelist symbols). - General view of the pulpit. - Photo, 2018. Author: ANONYMOUS.

akg6107641 Kenzingen (Breisgau, Baden-Württemberg), St. Laurentius Church (Catholic parish church, built at the end of the 13th century, Baroque conversion to a hall church from 1729 on), Pulpit (from the monastery of Wonnental). - Pulpit ceiling with the Salvator mundi and the the four evangelist symbols. - Photo, 2018. Author: ANONYMOUS.

akg6101208 Ottenau (Gaggenau, Northern Black Forest, Baden-Württemberg, Germany), St. Jodocus Church / St. Jodokus / St. Jodok (Catholic parish church, built 1904-1906, architect: Johannes Schroth). - The Savior (Sacred Heart of Jesus). - Sculpture. Plaster, coloured. Photo, 2018. Author: ANONYMOUS.

akg6540854 Saint-Martin d'Ainay Basilica. Main Altar. Golden statue of Jesus Christ Salvator Mundi (World Saviour). Lyon. France.

akg6540852 Saint-Martin d'Ainay Basilica. Mosaic. Jesus. Lyon. France.

akg6540853 Saint-Martin d'Ainay Basilica. Mosaic. Jesus. Lyon. France.

akg6373250 Statue of Jesus-Christ Salvator mundi (world saviour) in Saint-Martin d'Ainay basilica. Lyon, France.

akg6122814 Sulzbach (Municipality Gaggenau, Baden-Württemberg, Germany), St. Anna Church (Catholic parish church, built 1883-85, architect: Adolf Williard), Choir. - Central window of the choir with the Saviour. - Stained glass window by Geck and Vittali, Offenburg. Photo, 2018.

akg6125477 Hörden (city of Gaggenau, Baden-Württemberg), St. John Nepomuk Church (Catholic parish church, built at the end of the 19th century, architect: Johannes Schroth). - The Savior. - Figure of the high altar with Nativity, Adoration of the Kings, the Savior and Saints John Nepomuk and Wendelin. Wood, carved, polychrome painted. Photo, 2018. Author: ANONYMOUS.

akg7259445 Le christ salvator Mundi, Vitrail 19ème de Joseph Villiet, Eglise Saint Nicolas, Nérac, France.

akg7259447 Le christ salvator Mundi, Vitrail 19ème de Joseph Villiet, Eglise Saint Nicolas, Nérac, France.

akg7259446 Le christ salvator Mundi, Vitrail 19ème de Joseph Villiet, Eglise Saint Nicolas, Nérac, France.

alb3899105 El Salvador adolescente. Date/Period: Ca. 1490-1495. Painting. Oil on panel. Height: 25 cm (9.8 in); Width: 18 cm (7 in). Author: GIOVANNI ANTONIO BOLTRAFFIO.